Shield #1 by Jonathan Hickman and Dustin Weaver.
The best single issue I've read in a long time. For almost a month, I hadn't read anything that made me excited about comics, but then I read this issue and my faith in comicdom was back. The comic is just a blast of fun. We get to meet Imhotep 2000 years ago defending us from aliens, we get to see a Chinese warrior fight an eternal, we get to see Galileo saving us from Galactus, Leonardo Da Vinci in a jetpack.
The premise is that S.H.I.E.L.D is an organization that has existed for a long time and it has protected the planet from danger and this leads us to all sorts of fun snippets from the past. The story is set in 1953 where Leonid is brought to the Immortal city (a city under Rome). Not much is revealed about him, but I am sure more will come in future issues.
I highly recommend this issue and I am looking forward to more from this series.
Buffy the Vampire Slayer Season 8 #34 by Brad Meltzer and Georges Jeanty.
After a series of great Buffy issues we get this one which is above average. The issue is very sexualized and while Jeanty does a great job depicting sex and making the story flow nicely from panel to panel, the premise of this issue is not something I like too much. The story is becoming more and more magical, which has been a trend since Season 4 of Buffy, but what made Buffy great at first was the interpersonal relationships between the characters and I fear we are going to far away from that. In any case, I can't complain too much, because I love having Buffy and Angel together.
Solid issue. I think the issue will be controversial, given that Buffy is a popular brand and this issue is definitely in the border between pornographic and artistic. I think Jeanty did a fantastic job, but I could see parents complaining about their kids reading this.
Nemesis: The Impostors #2 by Ivan Brandon and Cliff Richards.
I really liked the first issue and all the questions it brought up, but I wasn't into this issue that much because I had forgot what questions were brought up earlier. I am starting to feel lost because I hadn't read the previous miniseries and it seems like I am losing out on the fun by not knowing much of the backstory.
Despite my lack of knowledge of this character, this particular issue works pretty great as a single issue. It has a cool fight against Batman, it has a nice escape and it makes one think about identities. Batman, is not Bruce Wayne anymore, he is Dick Grayson, so when Nemesis tells him "You're not Batman", he is actually right. I thought the artwork was great. I still don't know how this artist is the same artist that drew mediocre Buffy issues. Maybe this explains why inkers are important.
Chip #1 by Richard Moore.
This is a cute little story about a tiny gargoyle that wants to be scary. This is the first of two issues and I am looking forward to the next issue. A good read.
Showing posts with label georges jeanty. Show all posts
Showing posts with label georges jeanty. Show all posts
Friday, April 16, 2010
Thursday, March 4, 2010
Recent Single Issues
Buffy the Vampire Slayer Season 8 #32 by Brad Meltzer and Georges Jeanty.
After a year long of mediocre stories, Buffy got back on track last month with issue #31 and this issue is also great. I liked this issue even more, mainly because I am emotionally invested on the characters. Issue #31 made me laugh a lot and it was great, but this issue was so good, I flew past it and then read it again to see if I missed anything. Angel is my favorite characters in the Buffy Verse, so having him back was awesome.
A very good issue, I am looking forward to getting more Buffy comics.
Chew #9 by John Layman and Rob Guillory.
This series is just great. Each issue is fun, works as a solo issue and works as a part for a bigger story. I love that Layman and Guillory do that. I also like how they play with form. Every issue has a prologue, but issue 8 had more than one (it had three if I remember correctly), and not this issue has more than one cliffhanger, in fact it has three. The issue is packed with jokes. I can't say enough about how much I like Guillory's art, without his art I don't think I would love this book. The art makes the jokes funnier. It is nice to see a comic not go for ultra realistic, but use the comic form to enhance the stories with good visual storytelling.
Chew is a fantastic ongoing series. I highly recommend it.
Obamouse by Joe Dunn and Ben Dunn.
When I read the solicits for Obamouse, solicits which talked about Hen Beck, Sarah Penguin, Joe Bison, John McCrane, Steven Colbear, etc. I decided I had to buy the comic. The comic is an independent, it is in black and white and has simple lettering, however the art is pretty good. The issue contains three stories. One is Obamouse as a spy trying to stop Owl Caida and the Fat Cat. He succeeds somehow, I think this was poorly written. The second story is where all the funny animal versions of famous political figures come into play. It has Obamouse watching the jokes about him on TV, then has him talk to John McCrane about the economy among other things. It wasn't great, but it has some funny moments and it was closer to what I imagined the comic would be. This was the longest story. The third story has Obamouse in another planet. Asrah Naplin (note that it is an anagram of Sarah Palin) explains to him how the culture in the planet was destroyed by the partisands. It was interesting reading how polarization can hurt the country, but overall there wasn't much weight behind the words. A simple story that led nowhere.
The issue wasn't good, but the penciling was well done and it had some funny moments.
Nemesis: The Impostors #1 by Ivan Brandon and Cliff Richards.
I think the issue was great. I think it is a great first issue because it generated a lot of questions and it makes me want to read more to find out what is going on. The narrative structure is weird as at times it is unclear whether what is on the panel is what is happening now or someone telling a story. Also, it seems that the issue begins midway through the story and later one we find out how we got to where the issue starts. It is confusing, however, it intrigued me.
The art in this comic was very good. I am surprised because I wasn't in love with Cliff Richards when he drew in the Buffy comic, but here I think he does a great job. Maybe he just does better with darker tones in the colors, but I liked his artwork.
A great first issue, we'll have to wait to see how good the miniseries is.
Amazing Spider-Man #621 by Dan Slott and Michael Lark.
I liked this issue. The issue was a good one shot, with a fun adventure. It is always good to see Black Cat and I am interested on seeing when Aunt May will go back to being nice. The art was great. Michael Lark, one of my favorite artists for noir stories, worked before on Daredevil, a great run with Ed Brubaker. His style translated well for Spider-Man, although it is good that is only for one issue, as his style is not optimistic enough for a long run with Spidey. I here he will be back for a four issue story by Joe Kelly around issue #634. It should be cool, I love his art.
After a year long of mediocre stories, Buffy got back on track last month with issue #31 and this issue is also great. I liked this issue even more, mainly because I am emotionally invested on the characters. Issue #31 made me laugh a lot and it was great, but this issue was so good, I flew past it and then read it again to see if I missed anything. Angel is my favorite characters in the Buffy Verse, so having him back was awesome.
A very good issue, I am looking forward to getting more Buffy comics.
Chew #9 by John Layman and Rob Guillory.
This series is just great. Each issue is fun, works as a solo issue and works as a part for a bigger story. I love that Layman and Guillory do that. I also like how they play with form. Every issue has a prologue, but issue 8 had more than one (it had three if I remember correctly), and not this issue has more than one cliffhanger, in fact it has three. The issue is packed with jokes. I can't say enough about how much I like Guillory's art, without his art I don't think I would love this book. The art makes the jokes funnier. It is nice to see a comic not go for ultra realistic, but use the comic form to enhance the stories with good visual storytelling.
Chew is a fantastic ongoing series. I highly recommend it.
Obamouse by Joe Dunn and Ben Dunn.
When I read the solicits for Obamouse, solicits which talked about Hen Beck, Sarah Penguin, Joe Bison, John McCrane, Steven Colbear, etc. I decided I had to buy the comic. The comic is an independent, it is in black and white and has simple lettering, however the art is pretty good. The issue contains three stories. One is Obamouse as a spy trying to stop Owl Caida and the Fat Cat. He succeeds somehow, I think this was poorly written. The second story is where all the funny animal versions of famous political figures come into play. It has Obamouse watching the jokes about him on TV, then has him talk to John McCrane about the economy among other things. It wasn't great, but it has some funny moments and it was closer to what I imagined the comic would be. This was the longest story. The third story has Obamouse in another planet. Asrah Naplin (note that it is an anagram of Sarah Palin) explains to him how the culture in the planet was destroyed by the partisands. It was interesting reading how polarization can hurt the country, but overall there wasn't much weight behind the words. A simple story that led nowhere.
The issue wasn't good, but the penciling was well done and it had some funny moments.
Nemesis: The Impostors #1 by Ivan Brandon and Cliff Richards.
I think the issue was great. I think it is a great first issue because it generated a lot of questions and it makes me want to read more to find out what is going on. The narrative structure is weird as at times it is unclear whether what is on the panel is what is happening now or someone telling a story. Also, it seems that the issue begins midway through the story and later one we find out how we got to where the issue starts. It is confusing, however, it intrigued me.
The art in this comic was very good. I am surprised because I wasn't in love with Cliff Richards when he drew in the Buffy comic, but here I think he does a great job. Maybe he just does better with darker tones in the colors, but I liked his artwork.
A great first issue, we'll have to wait to see how good the miniseries is.
Amazing Spider-Man #621 by Dan Slott and Michael Lark.
I liked this issue. The issue was a good one shot, with a fun adventure. It is always good to see Black Cat and I am interested on seeing when Aunt May will go back to being nice. The art was great. Michael Lark, one of my favorite artists for noir stories, worked before on Daredevil, a great run with Ed Brubaker. His style translated well for Spider-Man, although it is good that is only for one issue, as his style is not optimistic enough for a long run with Spidey. I here he will be back for a four issue story by Joe Kelly around issue #634. It should be cool, I love his art.
Friday, February 5, 2010
Recent Single Issues
Buffy The Vampire Slayer: Season 8 #32 by Brad Meltzer and Georges Jeanty.
After a really good issue #31 we get an even better #32, the best since #15. Meltzer does a fantastic job in his first Buffy comic, making great use of his superhero writing experience. Buffy, who has just found out, has superpowers and Xander wants to test to see which superpowers she has. There's a really funny exchange about phasing, which is extra funny given that Joss Whedon loves the character Kitty Pride (her power is phasing). I love a panel where Warren, after finding out Buffy has superpowers, asks "think she can phase?".
While I am still not in love with Jeanty's art, he does a great job with backgrounds and with scenes that are close to the characters, I don't like how when characters are a bit far or move fast, the face has no detail and looks cartoony. I don't mind cartoony that much if it can express a little more than what it does in his art.
Fantastic issue that leaves me wishing I had the next one already to be able to read it right away.
God Complex #3 by Dan Berman, Michael Avon Oeming and John Broglia.
This is the final issue I ordered for God Complex, as I wanted to give it a three issue trial run. While the issue itself is good and left me curious to what would happen next, overall the series hasn't been what I was hoping it would be about. I was hoping the comic would be introspective, analyzing what makes mortality interesting to a God, what makes people so important and interesting, by looking at our world through the eyes of a God who shuns his immortality. The comic is a lot more about action and the issues seem to be an extended battle with nothing to make me think about. The battles are fun, but I was just hoping for a deeper book than this. For a fun romp about Gods fighting, I would rather read Incredible Hercules (which I'll start reading soon).
I liked this issue, but I am not continuing with the series, not my cup of tea.
Amazing Spider-Man #619 by Dan Slott and Marcos Martin.
This issue is the second part of the Mysterio arc. Mysterio looks really powerful and clever in this issue, although he seems to have gone too far with his illusions as Spider-Man figured out who is behind it. The scene where Spider-Man finds out reminded me of Matt Murdock finding out Kingpin is behind his fall in Daredevil #227 (first issue in the "Born Again" storyline). Since I have just read Born Again, the moment in Spider-Man felt cliché and was nowhere as powerful as Murdock's moment in DD #227.
The issue has a great cliffhanger and I am happy to see Carlie Cooper have more screen time. I was also happy to see a cop who likes Spidey and the reference to Jean DeWolffe. The issue also has fantastic art courtesy of Marcos Martin and the I am eager to read the next issue in the series. Spider-Man's comic is as good as I can remember, since they hit issue #600, the comic has been fantastic. A joy to be a Spidey fan nowadays.
After a really good issue #31 we get an even better #32, the best since #15. Meltzer does a fantastic job in his first Buffy comic, making great use of his superhero writing experience. Buffy, who has just found out, has superpowers and Xander wants to test to see which superpowers she has. There's a really funny exchange about phasing, which is extra funny given that Joss Whedon loves the character Kitty Pride (her power is phasing). I love a panel where Warren, after finding out Buffy has superpowers, asks "think she can phase?".
While I am still not in love with Jeanty's art, he does a great job with backgrounds and with scenes that are close to the characters, I don't like how when characters are a bit far or move fast, the face has no detail and looks cartoony. I don't mind cartoony that much if it can express a little more than what it does in his art.
Fantastic issue that leaves me wishing I had the next one already to be able to read it right away.
God Complex #3 by Dan Berman, Michael Avon Oeming and John Broglia.
This is the final issue I ordered for God Complex, as I wanted to give it a three issue trial run. While the issue itself is good and left me curious to what would happen next, overall the series hasn't been what I was hoping it would be about. I was hoping the comic would be introspective, analyzing what makes mortality interesting to a God, what makes people so important and interesting, by looking at our world through the eyes of a God who shuns his immortality. The comic is a lot more about action and the issues seem to be an extended battle with nothing to make me think about. The battles are fun, but I was just hoping for a deeper book than this. For a fun romp about Gods fighting, I would rather read Incredible Hercules (which I'll start reading soon).
I liked this issue, but I am not continuing with the series, not my cup of tea.
Amazing Spider-Man #619 by Dan Slott and Marcos Martin.
This issue is the second part of the Mysterio arc. Mysterio looks really powerful and clever in this issue, although he seems to have gone too far with his illusions as Spider-Man figured out who is behind it. The scene where Spider-Man finds out reminded me of Matt Murdock finding out Kingpin is behind his fall in Daredevil #227 (first issue in the "Born Again" storyline). Since I have just read Born Again, the moment in Spider-Man felt cliché and was nowhere as powerful as Murdock's moment in DD #227.
The issue has a great cliffhanger and I am happy to see Carlie Cooper have more screen time. I was also happy to see a cop who likes Spidey and the reference to Jean DeWolffe. The issue also has fantastic art courtesy of Marcos Martin and the I am eager to read the next issue in the series. Spider-Man's comic is as good as I can remember, since they hit issue #600, the comic has been fantastic. A joy to be a Spidey fan nowadays.
Saturday, January 30, 2010
Various Single Issues
Buffy the Vampire Slayer: Season 8 #31 by Joss Whedon and Georges Jeanty.
The latest issue of Buffy gives hope about the future of the series. 2009 was a bad year for the comic as the quality of the stories went way down from the first two years. This issue was very good, the art was good for the most part and the dialogue was funny and interesting. An issue that gives me hope about the future of this series.
Dingo #1 by Michael Alan Nelson and Francesco Biagini.
The comic book owner at the place I buy comics convinced me to read this comic. The comic is great. The comic creates some suspense about the characters, making me want to know about their backstory. This is something that comics I love have in common. They make me want to know something that they don't reveal right away, but at the same time, it feels natural not to reveal it. In other words, I like stories that start in the middle, that is, you start reading as if you knew the characters already and then things start making sense little by little the more you read.
I should point out that I liked the art in the comic and that the issue has an awesome dog as a character. We need more awesome dogs in comic books.
Amazing Spider-Man #617 by Joe Kelly and Max Fiumara.
I liked this issue a lot. The Spider-Man comic keeps delivering great stuff. I like how Joe Kelly treats the Rhino. The Rhino had already had a really good origin story recently in Web of Spider-Man, and now we get a very good "ending" story for the Rhino.
The comic also has a back up story drawn by Javier Pulido. In the back up, we get to see a little bit more of Rhino, explaining how he fell in love. I liked the back story a lot. Well done.
Spider-Man is my favorite superhero and the issues haven't disappointed me in a long time.
Chew #8 by John Layman and Rob Guillory.
Chew is one of my favorite comics now and I get excited every time I get a new issue. It is the first issue I read whenever I get it. Issue 7 wasn't great so I was hoping this would be better. The issue is much better. We have an interesting adventure following Chu on his quest to find Poyo (a cockfighter) and we get a lot of laughs a long the way. The comic has started every issue with a short prologue and in this issue we don't get one but three prologues, another funny bit that gives the comic a world of its own. I like how the comic has a very clear identity, by having this sort of form play and by having unique art, by the hands of Rob Guillory. Guillory draws perfectly for this offbeat, funny comic. His art is instantly recognizable, I love that.
Chew is fantastic.
Irredeemable #10 by Mark Waid and Peter Krause.
I like this series a lot. This issue wasn't as interesting as others, mainly because it departs a lot from understanding Plutonian, however I can see that some things are developing. First we get to see a villain that was hinted at in the last issue and we get to see how powerful and menacing he is. Secondly, we get to see how much the Plutonian cares for Samsara, which is interesting because it seems that the comic might be shifting into going from hate to Plutonian into pity. The key thing about making Plutonian pitiable is how he was defeated recently in such a convincing manner. I don't understand why weakness can make someone more likeable, but I know it has that effect on us and I am glad that the comic seems to explore that.
I am excited about the next issue.
Amazing Spider-Man #618 by Dan Slott and Marcos Martin.
I like this issue a lot. I am always happy to be surprised in an issue and to have the surprise seem plausible (obviously in a superhero comic book, I have to stretch my imagination when considering something plausible). I like that the comic has a very Spidey feel to it and that it can be read without needing previous issues to enjoy. I also love the art. Martin makes the comic very dynamic.
This issue also got me more interested in reading Web of Spider-Man #4, as it will have the origin story for Mysterio who plays a role in this issue.
Amazing Spider-Man is a really good comic and I am glad that I get to enjoy it three times a week.
The latest issue of Buffy gives hope about the future of the series. 2009 was a bad year for the comic as the quality of the stories went way down from the first two years. This issue was very good, the art was good for the most part and the dialogue was funny and interesting. An issue that gives me hope about the future of this series.
Dingo #1 by Michael Alan Nelson and Francesco Biagini.
The comic book owner at the place I buy comics convinced me to read this comic. The comic is great. The comic creates some suspense about the characters, making me want to know about their backstory. This is something that comics I love have in common. They make me want to know something that they don't reveal right away, but at the same time, it feels natural not to reveal it. In other words, I like stories that start in the middle, that is, you start reading as if you knew the characters already and then things start making sense little by little the more you read.
I should point out that I liked the art in the comic and that the issue has an awesome dog as a character. We need more awesome dogs in comic books.
Amazing Spider-Man #617 by Joe Kelly and Max Fiumara.
I liked this issue a lot. The Spider-Man comic keeps delivering great stuff. I like how Joe Kelly treats the Rhino. The Rhino had already had a really good origin story recently in Web of Spider-Man, and now we get a very good "ending" story for the Rhino.
The comic also has a back up story drawn by Javier Pulido. In the back up, we get to see a little bit more of Rhino, explaining how he fell in love. I liked the back story a lot. Well done.
Spider-Man is my favorite superhero and the issues haven't disappointed me in a long time.
Chew #8 by John Layman and Rob Guillory.
Chew is one of my favorite comics now and I get excited every time I get a new issue. It is the first issue I read whenever I get it. Issue 7 wasn't great so I was hoping this would be better. The issue is much better. We have an interesting adventure following Chu on his quest to find Poyo (a cockfighter) and we get a lot of laughs a long the way. The comic has started every issue with a short prologue and in this issue we don't get one but three prologues, another funny bit that gives the comic a world of its own. I like how the comic has a very clear identity, by having this sort of form play and by having unique art, by the hands of Rob Guillory. Guillory draws perfectly for this offbeat, funny comic. His art is instantly recognizable, I love that.
Chew is fantastic.
Irredeemable #10 by Mark Waid and Peter Krause.
I like this series a lot. This issue wasn't as interesting as others, mainly because it departs a lot from understanding Plutonian, however I can see that some things are developing. First we get to see a villain that was hinted at in the last issue and we get to see how powerful and menacing he is. Secondly, we get to see how much the Plutonian cares for Samsara, which is interesting because it seems that the comic might be shifting into going from hate to Plutonian into pity. The key thing about making Plutonian pitiable is how he was defeated recently in such a convincing manner. I don't understand why weakness can make someone more likeable, but I know it has that effect on us and I am glad that the comic seems to explore that.
I am excited about the next issue.
Amazing Spider-Man #618 by Dan Slott and Marcos Martin.
I like this issue a lot. I am always happy to be surprised in an issue and to have the surprise seem plausible (obviously in a superhero comic book, I have to stretch my imagination when considering something plausible). I like that the comic has a very Spidey feel to it and that it can be read without needing previous issues to enjoy. I also love the art. Martin makes the comic very dynamic.
This issue also got me more interested in reading Web of Spider-Man #4, as it will have the origin story for Mysterio who plays a role in this issue.
Amazing Spider-Man is a really good comic and I am glad that I get to enjoy it three times a week.
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