Amazing Spider-Man #636 by Joe Kelly, Marco Checchetto and Michael Lark with a backup story by J.M. DeMatteis, Emma Rios and Max Fiumara and another backup by Stan Lee and Marcos Martin.
I was very interested in seeing how the writers would fix Spidey's death in the previous issue. I was happy that the explanation makes sense. Joe Kelly has really excelled in this series by making you think something is happening and something else happens. There is quite a bit of mysticism involved with the return from the dead of Kraven, but besides that, the story stays true to other Spidey stories where we don't get much mysticism.
This issue is not drawn by Michael Lark, despite my love for Lark's artwork, I was impressed with Checchetto as I hadn't realized it wasn't Lark for a bit. I also didn't notice a change when it changes back to Lark near the end of the issue. Great job by both of them.
I am interested with Kraven's reaction. He is very unhappy to be alive again. He has always been a bit unpredictable and now he is even more. I wonder what will happen. I am not thrilled at seeing him back, given that DeMatteis "Kraven't Last Hunt" was such a great comic, however, this story arc has been outstanding this far and I won't judge the resurrection yet.
The backup story was quite emotional. I was very saddened with Kaine's actions. It is interesting to see Kaine act heroically in the main story but act like a villain in the back up. An interesting reversal of roles. This is the best of the back ups between DeMatteis and Fiumara. Can't wait to see the ending of their mini arc.
The Spidey Sundays strip by Stan Lee and Marcos Martin was great. The page design by Martin is fantastic. I really liked it. Hard to know what will happen with the story since we only get two pages, but the art was really good. It seems like a nice memorable project.
Web of Spider-Man #10 by Fred Van Lente and Nick Dragotta with a backup by Marc Guggenhein and Sana Takeda.
The final part of the Extremist trilogy occurs in this issue. I have to say that I liked it a lot. The Extremist is an interesting new villain and I really liked how Spider-Man handled the situation. He used his intelligence and his humor to defeat the Extremist. This is a quintessential Spider-man issue. Fantastic.
The back up story was not bad. The art by Takeda is quite good. I don't really care for Jackpot, I thought she had died before so I am a bit confused. I also mostly forgot what happened in last month's issue, so I don't really understand Jackpot's urgency. However, this particular issue had an interesting ending and I liked the art, so overall I liked it. The main story was much better though.
Showing posts with label J.M. DeMatteis. Show all posts
Showing posts with label J.M. DeMatteis. Show all posts
Thursday, July 22, 2010
Monday, July 19, 2010
Various Recent SuperHero Single Issues
Amazing Spider-Man #635 by Joe Kelly and Michael Lark with a backup by J.M. DeMatteis and Max Fiumara and another back up by Stan Lee and Marcos Martin.
I really liked this issue. In the last issue we get the cliffhanger of Ezekiel coming back from the dead so I was very interested in what would happen. In the end of the issue we find out that Ezekiel is actually the chameleon, which makes complete sense. I was surprised how well they fooled me. I like how Kelly has been playing with spiritual forces but at the same time doesn't go too far with them. Overall the issue was really good, with great artwork by Michael Lark and an issue full of action and intensity. I am looking forward to the rest of the series, specially considering the incredible cliffhanger at the end of the issue.
The first backup, which is written by J.M. DeMatteis is pretty good. This is the second issue in this storyline about Kraven. I liked Fiumara's artwork more here then in the previous issue, he seems to have gotten a better hold on how to draw Kraven and Kaine. The issue was pretty good, I really like the interaction between Kraven and Kaine.
The last backup, the two pages by Stan Lee and Marcos Martin are interesting. Not as good as in the previous issue, but it seems to be setting a funny series. These two pages don't work as well in isolation, but hopefully it will work well once we have all the package together.
Superman #701 by J.M. Straczynski and Eddy Barrows.
After a lackluster prologue in #700, Straczynski finally starts his Superman story called "Grounded" in which Superman walks across America to find his roots and why he is a hero. This issue has a few flaws, places where Superman says strange things (such as saying the world is unfair by mentioning that John Lennon is dead) and seems a bit pretentious at times (quoting Thoreau near the end), however I liked it in whole. I liked that Superman is not nice to reporters, given that I hate reporters that just follow celebrities. I liked that Superman cares about saving one life. The scene where he cares about a girl about to kill herself is pretty good, although one has to wonder about this scene, given that Morrison had just done this in an "All Star Superman" issue.
The artwork in the issue is not great, but it is not bad either. I think in terms of storytelling it is okay, he just sometimes doesn't draw Superman's face as perfect as I imagine Superman. Sometimes he nails it, sometimes he doesn't.
I am looking forward to the rest of the series. It was a much better issue than the prologue and I think that once Straczynski goes into rhythm we'll get better issues.
Irredeemable #15 by Mark Waid and Diego Barreto.
Issue #14 ended with the Plutonian coming at the Paradigm in full force, so this issue starts with a lot of action. The heroes have a secret weapon that can destroy the Plutonian, a bullet that has a special wax inside that is known to make the Plutonian vulnerable. One of the Paradigm's leaders, Qubit, doesn't trust the Orion, an evil alien that is helping the Paradigm destroy the Plutonian. There is a bit of a struggle between the Paradigm deciding whether to kill the Plutonian, in which case they would be vulnerable to Orion and not destroying the Plutonian now in hopes of finding a way later on. Besides all these problems, the Paradigm doesn't know that who they think is their resurrected friend Samsara, is actually the villain Modeus. In other words, all sorts of chaos is going on in this series and I love it. Anything can happen. The end of this issue was incredible, making a victory seem like a loss.
While I miss Peter Krause's artwork a bit, Diego Barreto does a fantastic job of covering him. The action scenes are well drawn and he is able to clearly show complex situations in the book. I like his artwork quite a bit.
Overall this series continues to impress. I am glad I gave it a chance last year and I will continue to read it for a while.
Astonishing Spider-Man and Wolverine #2 by Jason Aaron and Adam Kubert.
I had already forgotten the end of the first issue, so I was confused with how this issue started. However, I shouldn't worry about being confused anyways, because later on I realized that the writer just skipped months in time between the end of last issue and the beginning of this issue. Last issue was based in prehistoric times where Wolverine leads a tribe while Spider-man tries to figure out how to get back in time. At the end of the issue, Spider-man and Wolverine are thrown in time to the future, a future where humanity ended and instead of humans, ape-people rule the world. Ape-people are pretty friendly and in fact Spidey has been teaching them science these months.
The issue is quite good. Once the threat arrives, planet Doom, the issue becomes incredible. I can't believe how much detail Kubert is able to put in his art and I can't believe how outrageous this comic has been. Really fun, unpredictable and exciting. An excellent combination. I am looking forward to the rest of the series, I am very happy I am reading this series.
I really liked this issue. In the last issue we get the cliffhanger of Ezekiel coming back from the dead so I was very interested in what would happen. In the end of the issue we find out that Ezekiel is actually the chameleon, which makes complete sense. I was surprised how well they fooled me. I like how Kelly has been playing with spiritual forces but at the same time doesn't go too far with them. Overall the issue was really good, with great artwork by Michael Lark and an issue full of action and intensity. I am looking forward to the rest of the series, specially considering the incredible cliffhanger at the end of the issue.
The first backup, which is written by J.M. DeMatteis is pretty good. This is the second issue in this storyline about Kraven. I liked Fiumara's artwork more here then in the previous issue, he seems to have gotten a better hold on how to draw Kraven and Kaine. The issue was pretty good, I really like the interaction between Kraven and Kaine.
The last backup, the two pages by Stan Lee and Marcos Martin are interesting. Not as good as in the previous issue, but it seems to be setting a funny series. These two pages don't work as well in isolation, but hopefully it will work well once we have all the package together.
Superman #701 by J.M. Straczynski and Eddy Barrows.
After a lackluster prologue in #700, Straczynski finally starts his Superman story called "Grounded" in which Superman walks across America to find his roots and why he is a hero. This issue has a few flaws, places where Superman says strange things (such as saying the world is unfair by mentioning that John Lennon is dead) and seems a bit pretentious at times (quoting Thoreau near the end), however I liked it in whole. I liked that Superman is not nice to reporters, given that I hate reporters that just follow celebrities. I liked that Superman cares about saving one life. The scene where he cares about a girl about to kill herself is pretty good, although one has to wonder about this scene, given that Morrison had just done this in an "All Star Superman" issue.
The artwork in the issue is not great, but it is not bad either. I think in terms of storytelling it is okay, he just sometimes doesn't draw Superman's face as perfect as I imagine Superman. Sometimes he nails it, sometimes he doesn't.
I am looking forward to the rest of the series. It was a much better issue than the prologue and I think that once Straczynski goes into rhythm we'll get better issues.
Irredeemable #15 by Mark Waid and Diego Barreto.
Issue #14 ended with the Plutonian coming at the Paradigm in full force, so this issue starts with a lot of action. The heroes have a secret weapon that can destroy the Plutonian, a bullet that has a special wax inside that is known to make the Plutonian vulnerable. One of the Paradigm's leaders, Qubit, doesn't trust the Orion, an evil alien that is helping the Paradigm destroy the Plutonian. There is a bit of a struggle between the Paradigm deciding whether to kill the Plutonian, in which case they would be vulnerable to Orion and not destroying the Plutonian now in hopes of finding a way later on. Besides all these problems, the Paradigm doesn't know that who they think is their resurrected friend Samsara, is actually the villain Modeus. In other words, all sorts of chaos is going on in this series and I love it. Anything can happen. The end of this issue was incredible, making a victory seem like a loss.
While I miss Peter Krause's artwork a bit, Diego Barreto does a fantastic job of covering him. The action scenes are well drawn and he is able to clearly show complex situations in the book. I like his artwork quite a bit.
Overall this series continues to impress. I am glad I gave it a chance last year and I will continue to read it for a while.
Astonishing Spider-Man and Wolverine #2 by Jason Aaron and Adam Kubert.
I had already forgotten the end of the first issue, so I was confused with how this issue started. However, I shouldn't worry about being confused anyways, because later on I realized that the writer just skipped months in time between the end of last issue and the beginning of this issue. Last issue was based in prehistoric times where Wolverine leads a tribe while Spider-man tries to figure out how to get back in time. At the end of the issue, Spider-man and Wolverine are thrown in time to the future, a future where humanity ended and instead of humans, ape-people rule the world. Ape-people are pretty friendly and in fact Spidey has been teaching them science these months.
The issue is quite good. Once the threat arrives, planet Doom, the issue becomes incredible. I can't believe how much detail Kubert is able to put in his art and I can't believe how outrageous this comic has been. Really fun, unpredictable and exciting. An excellent combination. I am looking forward to the rest of the series, I am very happy I am reading this series.
Sunday, July 4, 2010
Amazing Spider-Man
Amazing Spider-Man #631 by Zeb Wells and Chris Bachalo.
This is the second issue in the "Shed" story arc. The issue is very dark. Maybe the darkest issue I've ever read on Spider-Man. After the Lizard killed several scientists in the first issue, now he's heading towards his son. Spider-Man tries to stop him and he kind of those, except that the kid has been kidnapped by ana Kravinoff. Spidey doesn't know where the kid is and Spidey has to save the life of the foster mother, in the meantime the Lizard can track his kid through smell.
The art in this issue is interesting. The panels are often much thinner than normal and they create a sense of chaos. The story is not as easy to read from panel to panel because of it, but I think it works in the sense that it gives the book a chaotic feel.
Amazing Spider-Man #632 by Zeb Wells and Chris Bachalo.
After the intense ending to the previous issue, Spidey arrives to the scene to realize that Connors has Shed his skin. The Lizard is no longer Curt Connors. The Lizard has taken control and therefore is no longer human, it is completely reptilian. Not only that, but he has to power to tap into the primitive parts of other people's brains and make them act on instinct. This allows him to easily beat Spider-Man as Spidey's primitive brain tells him to flee (since the Lizard is a much bigger foe).
The ending on this issue is incredible. After reading this issue I really wanted to read the next one, specially knowing that the next issue would finish the storyline.
Amazing Spider-Man #633 by Zeb Wells and Chris Bachalo.
This is the last issue in the "Shed" storyline and it is fantastic. A block of New York City is in complete chaos due to the Lizard. Spidey has an antidote to prevent his primitive brain from taking control of him, but it does nothing on the Lizard, since the Lizard is all primitive brain now. However, during the fight, the Lizard seems to understand the good side of having a monkey brain, by noticing how men have created airplanes, buildings and other things. It was interesting. But the best part was that the issue was fun and exciting. The art really works with these fight scenes and I also like how the last third of the issue is drawn by Emma Rios, bringing a very different style for a different environment, helping the story too by showing the less chaotic side of things. It was also nice to see Aunt May come back to normal, although I wish there were a better explanation of why she was able to go back to normal.
Great issue and overall a fantastic Spider-Man storyline. The best I've read in a long time, at least 20 issues.
Amazing Spider-Man #634 by Joe Kelly and Michael Lark with a backup from J.M DeMatteis and Max Fiumara and another back up by Stan Lee and Marcos Martin.
This issue starts the long awaited "Grim Hunt". The Kravinoff family has been creating havoc on Peter's life for a while now and they are finally attacking him straight. The issue is very good. We get to see Spidey fighting alongside Arachne against Alyosha and Ana Kravinoff. We get to see a beaten up Kaine warn Peter. We get to see Ezequiel again (one of my favorite Spidey characters) and we get to see a little bit more of the Kravinoffs, finally understanding what they are trying to do (although without understanding why their plan will work). A solid issue, hopefully it will be even better than "Shed". Joe Kelly is a great writer and I have high hopes for the rest of this series.
The back up issue by J.M. DeMatteis wasn't that great. The art was interesting and the story was okay, but we don't get much out of the issue. I think overall the story will be okay, it seems to be leading up to a Kraven versus Kaine confrontation, which should be cool.
The other back up is only two pages. The art by Martin is pretty cool and the series seems to lead up to a funny storyline. The story seems to be a bit inspired by Pinky and the Brain. We'll see what Stan Lee can do with it. I am hopeful.
This is the second issue in the "Shed" story arc. The issue is very dark. Maybe the darkest issue I've ever read on Spider-Man. After the Lizard killed several scientists in the first issue, now he's heading towards his son. Spider-Man tries to stop him and he kind of those, except that the kid has been kidnapped by ana Kravinoff. Spidey doesn't know where the kid is and Spidey has to save the life of the foster mother, in the meantime the Lizard can track his kid through smell.
The art in this issue is interesting. The panels are often much thinner than normal and they create a sense of chaos. The story is not as easy to read from panel to panel because of it, but I think it works in the sense that it gives the book a chaotic feel.
Amazing Spider-Man #632 by Zeb Wells and Chris Bachalo.
After the intense ending to the previous issue, Spidey arrives to the scene to realize that Connors has Shed his skin. The Lizard is no longer Curt Connors. The Lizard has taken control and therefore is no longer human, it is completely reptilian. Not only that, but he has to power to tap into the primitive parts of other people's brains and make them act on instinct. This allows him to easily beat Spider-Man as Spidey's primitive brain tells him to flee (since the Lizard is a much bigger foe).
The ending on this issue is incredible. After reading this issue I really wanted to read the next one, specially knowing that the next issue would finish the storyline.
Amazing Spider-Man #633 by Zeb Wells and Chris Bachalo.
This is the last issue in the "Shed" storyline and it is fantastic. A block of New York City is in complete chaos due to the Lizard. Spidey has an antidote to prevent his primitive brain from taking control of him, but it does nothing on the Lizard, since the Lizard is all primitive brain now. However, during the fight, the Lizard seems to understand the good side of having a monkey brain, by noticing how men have created airplanes, buildings and other things. It was interesting. But the best part was that the issue was fun and exciting. The art really works with these fight scenes and I also like how the last third of the issue is drawn by Emma Rios, bringing a very different style for a different environment, helping the story too by showing the less chaotic side of things. It was also nice to see Aunt May come back to normal, although I wish there were a better explanation of why she was able to go back to normal.
Great issue and overall a fantastic Spider-Man storyline. The best I've read in a long time, at least 20 issues.
Amazing Spider-Man #634 by Joe Kelly and Michael Lark with a backup from J.M DeMatteis and Max Fiumara and another back up by Stan Lee and Marcos Martin.
This issue starts the long awaited "Grim Hunt". The Kravinoff family has been creating havoc on Peter's life for a while now and they are finally attacking him straight. The issue is very good. We get to see Spidey fighting alongside Arachne against Alyosha and Ana Kravinoff. We get to see a beaten up Kaine warn Peter. We get to see Ezequiel again (one of my favorite Spidey characters) and we get to see a little bit more of the Kravinoffs, finally understanding what they are trying to do (although without understanding why their plan will work). A solid issue, hopefully it will be even better than "Shed". Joe Kelly is a great writer and I have high hopes for the rest of this series.
The back up issue by J.M. DeMatteis wasn't that great. The art was interesting and the story was okay, but we don't get much out of the issue. I think overall the story will be okay, it seems to be leading up to a Kraven versus Kaine confrontation, which should be cool.
The other back up is only two pages. The art by Martin is pretty cool and the series seems to lead up to a funny storyline. The story seems to be a bit inspired by Pinky and the Brain. We'll see what Stan Lee can do with it. I am hopeful.
Thursday, July 1, 2010
Web of Spider-Man
Web of Spider-man #4 consists of three short stories:
Gauntlet Origins: Mysterio by Fred Van Lente and Barry Kitson.
This story was pretty good. It is set right before Mysterio becomes a criminal, showing us what inspired him and in the meantime giving us an unexpected Dr. Strange story. I liked this one quite a bit.
The Spectacular Spider-Girl in They First Make Mad by Tom DeFalco and Ron Frenz.
This story ends the "goblin" arc. It is not great.
Hammerhead in Western Promises by Frank Tieri and Eric Canete.
This is a really good short issue. It gives Hammerhead a bit more depth and I also like that the title is a little homage to the great movie "Eastern Promises".
Web of Spider-man #5 consists of three short stories:
Gauntlet Origins: Vulture by Fred Van Lente and Francis Portela.
Another solid story. Van Lente does a great job of making his villains be much more than their caricatures. Adrian Toomes (the vulture) really seems like a very intelligent guy in this story. Quite good and at the same time quite dark. I liked it.
The Spectacular Spider-Girl in Choosing Sides by Tom DeFalco and Ron Frenz.
The more I read Spider-Girl, the more I wish I was able to skip the story and read the next. For some reason, even if I don't like something, I have a tough time not reading it, if it is inside a book I care about. Something I should fix if I want to read more anthologies.
Ben Reilly in Nobody by J.M. DeMatteis and Chad Hardin.
A pretty good story. It must be tough being a clone, feeling like you are nobody. This short story explores that as well as you can in 10 pages. I want more Ben Reilly stories.
Web of Spider-man #8 by Fred Van Lente and Javier Rodriguez with a back up story called "Un Nuovo Inizio" by J.M. DeMatteis and Val Semeiks.
In this issue, Web of Spider-man changed its format. In a way losing its anthology status and just giving Van Lente a comic where he can tell Spider-man stories. This issue starts the first part of "The Extremist". The Extremist is a villain that believes that the world is black and white, either you are good or your bad. He hates gray areas and wants to eliminate them. In this issue he attacks a pundit who bashes superheroes. He believes superheroes have made the right choices and that it is wrong to humanize them and make them seem less good, in other words, he hates people putting in gray areas when they should be all white.
I liked the story a lot, looking forward to the rest of the arc.
The backup story was another Ben Reilly story. It was really good. It is nice to have a Peter Parker character which is not as balanced morally as the normal Peter Parker. Ben Reilly is very happy with a new beginning, shaping his life in nice ways, living in Rome. However, his lack of past creates troubles when he starts "dating" a daughter of a powerful man. It is interesting how Ben reacts to this. I really want to read more about Ben Reilly, I hope they put more back up stories about him in the series.
Web of Spider-man #9 by Fred Van Lente, Javier Rodriguez, Patrick Olliffe and Nick Dragotta with a back up story called "Jackpot Reflections" by Marc Guggenheim and Sana Takeda.
The main issue is the second part of "The Extremist". The issue explains a bit about the past about The Extremist. It is a really good villain. He is powerful and interestingly, his motives, while crazy, aren't specially evil. What he does is evil, but he really thinks he is doing the right thing. His motivations are not greed or power, they are quite different. This might be the best new Spider-man villain in over 10 years. Spidey had amazing villains in its early run, but it seems that most Spidey villains were created back then, whenever a new one would come, it wouldn't be a very good villain.
I have to talk about the art too, as I liked it a lot. The last third of the issue is drawn by Nick Dragotta and I thought he is excellent at drawing Spider-man. Javier Rodriguez did a great job with the last issue and with half of this issue, but I liked Dragotta more (of course, I am not sure how well he draws Peter, but he is excellent at drawing Spidey.
The back up tale was pretty good, even though it was about a character I care almost nothing about (Jackpot). I thought Jackpot had died in a Spidey Annual a couple of years ago and I don't even remember who she was. I just know that it teased us for a while making us think she was Mary Jane. Even with my indifference for the character, the cool drawings and the self contained story entertained me quite a bit. It ends in a "To be continued" and I want to know what happens (although, I prefer having a Ben Reilly story in the next issue).
Overall, I am glad I have been reading this series. The new format is excellent as now I get to read Fred Van Lente writing Spidey stories instead of just little origin stories about villains. Looking forward to more from this series.
Gauntlet Origins: Mysterio by Fred Van Lente and Barry Kitson.
This story was pretty good. It is set right before Mysterio becomes a criminal, showing us what inspired him and in the meantime giving us an unexpected Dr. Strange story. I liked this one quite a bit.
The Spectacular Spider-Girl in They First Make Mad by Tom DeFalco and Ron Frenz.
This story ends the "goblin" arc. It is not great.
Hammerhead in Western Promises by Frank Tieri and Eric Canete.
This is a really good short issue. It gives Hammerhead a bit more depth and I also like that the title is a little homage to the great movie "Eastern Promises".
Web of Spider-man #5 consists of three short stories:
Gauntlet Origins: Vulture by Fred Van Lente and Francis Portela.
Another solid story. Van Lente does a great job of making his villains be much more than their caricatures. Adrian Toomes (the vulture) really seems like a very intelligent guy in this story. Quite good and at the same time quite dark. I liked it.
The Spectacular Spider-Girl in Choosing Sides by Tom DeFalco and Ron Frenz.
The more I read Spider-Girl, the more I wish I was able to skip the story and read the next. For some reason, even if I don't like something, I have a tough time not reading it, if it is inside a book I care about. Something I should fix if I want to read more anthologies.
Ben Reilly in Nobody by J.M. DeMatteis and Chad Hardin.
A pretty good story. It must be tough being a clone, feeling like you are nobody. This short story explores that as well as you can in 10 pages. I want more Ben Reilly stories.
Web of Spider-man #8 by Fred Van Lente and Javier Rodriguez with a back up story called "Un Nuovo Inizio" by J.M. DeMatteis and Val Semeiks.
In this issue, Web of Spider-man changed its format. In a way losing its anthology status and just giving Van Lente a comic where he can tell Spider-man stories. This issue starts the first part of "The Extremist". The Extremist is a villain that believes that the world is black and white, either you are good or your bad. He hates gray areas and wants to eliminate them. In this issue he attacks a pundit who bashes superheroes. He believes superheroes have made the right choices and that it is wrong to humanize them and make them seem less good, in other words, he hates people putting in gray areas when they should be all white.
I liked the story a lot, looking forward to the rest of the arc.
The backup story was another Ben Reilly story. It was really good. It is nice to have a Peter Parker character which is not as balanced morally as the normal Peter Parker. Ben Reilly is very happy with a new beginning, shaping his life in nice ways, living in Rome. However, his lack of past creates troubles when he starts "dating" a daughter of a powerful man. It is interesting how Ben reacts to this. I really want to read more about Ben Reilly, I hope they put more back up stories about him in the series.
Web of Spider-man #9 by Fred Van Lente, Javier Rodriguez, Patrick Olliffe and Nick Dragotta with a back up story called "Jackpot Reflections" by Marc Guggenheim and Sana Takeda.
The main issue is the second part of "The Extremist". The issue explains a bit about the past about The Extremist. It is a really good villain. He is powerful and interestingly, his motives, while crazy, aren't specially evil. What he does is evil, but he really thinks he is doing the right thing. His motivations are not greed or power, they are quite different. This might be the best new Spider-man villain in over 10 years. Spidey had amazing villains in its early run, but it seems that most Spidey villains were created back then, whenever a new one would come, it wouldn't be a very good villain.
I have to talk about the art too, as I liked it a lot. The last third of the issue is drawn by Nick Dragotta and I thought he is excellent at drawing Spider-man. Javier Rodriguez did a great job with the last issue and with half of this issue, but I liked Dragotta more (of course, I am not sure how well he draws Peter, but he is excellent at drawing Spidey.
The back up tale was pretty good, even though it was about a character I care almost nothing about (Jackpot). I thought Jackpot had died in a Spidey Annual a couple of years ago and I don't even remember who she was. I just know that it teased us for a while making us think she was Mary Jane. Even with my indifference for the character, the cool drawings and the self contained story entertained me quite a bit. It ends in a "To be continued" and I want to know what happens (although, I prefer having a Ben Reilly story in the next issue).
Overall, I am glad I have been reading this series. The new format is excellent as now I get to read Fred Van Lente writing Spidey stories instead of just little origin stories about villains. Looking forward to more from this series.
Thursday, June 24, 2010
Justice League International Vol. 1
Justice League International Vol. 1 by Keith Giffen, J.M. DeMatteis and Kevin MaGuire consists of issues 1-6 of Justice League and issue 7 of Justice League International.
I had to start reading this acclaimed series at some point. I've heard so many good things and J.M. DeMatteis was hilarious in a series of issues in Spectacular Spider-Man (the Legion of Losers storyline). I finally bought this book and after reading it, I have to say that while it is very good, it is not as good as I expected. However, it seems like it would get better in the next volume as this volume was more about setting things up.
In this comic, we have the Justice League, which at this time consists of Batman, Guy Gardner (a Green Lantern), Dr. Fate, Martian Manhunter and others. Gardner wants to be in charge, but Batman quickly takes the lead as it is in his personality. The dynamic between Gardner and Batman is a gem for comedy pieces. The writers take full advantage of this and they also use the penciller wisely, as he is excellent at facial expressions, something very important in comedy.
I am not sure I would recommend this book, I would have to read the next one before knowing, but it is a very funny book and the story is not bad.
I had to start reading this acclaimed series at some point. I've heard so many good things and J.M. DeMatteis was hilarious in a series of issues in Spectacular Spider-Man (the Legion of Losers storyline). I finally bought this book and after reading it, I have to say that while it is very good, it is not as good as I expected. However, it seems like it would get better in the next volume as this volume was more about setting things up.
In this comic, we have the Justice League, which at this time consists of Batman, Guy Gardner (a Green Lantern), Dr. Fate, Martian Manhunter and others. Gardner wants to be in charge, but Batman quickly takes the lead as it is in his personality. The dynamic between Gardner and Batman is a gem for comedy pieces. The writers take full advantage of this and they also use the penciller wisely, as he is excellent at facial expressions, something very important in comedy.
I am not sure I would recommend this book, I would have to read the next one before knowing, but it is a very funny book and the story is not bad.
Thursday, January 7, 2010
More Reviews of Single Issues
Amazing Spider-Man #616 by Fred Van Lente and Javier Pulido.
The issue continues on the Sandman story introduced in the previous issue. The issue continues with the great artwork and great writing. I particularly liked the artwork on a two page spread where the panel snakes up as Sandman is snaking up. The panel is creative and it makes the action look much better than if the panel were just a rectangle.
The ending in the issue is sad. It made me think about the government taking children away from parents because of negligence. Movies, comics and books many times put this in a bad light, but then again, abusive parents must be held accountable somehow. It is a tough subject. I think child's services is better for society than not having it, but some situations are just sad.
A very good issue.
What If Aunt May had Died instead of Uncle Ben? by Ed Brubaker and Andrea Di Vito.
The story is told as if the narrator was a comic book store owner talking to another comic book fan. It is nice that the owner has a T-shirt with The Watcher in it, as The Watcher is usually the narrator in the What If? storylines.
The story is a fun read. It makes it clear how important Aunt May is in the Spider-Man universe. Without someone to ground him, Spider-Man would lose control and go through more experiences before becoming a good superhero.
It was a good story and I really liked the way it was handled with the two superhero fans discussing this.
Star Wars: Purge Seconds to Die by John Ostrander and Jim Hall
The comic is about a Jedi that tries to take down the Emperor after Order 666. She acts as if she wants to be Sith. The Emperor tells her that he'll take her as a student as long as she defeats Darth Vader. Therefore we get a pretty good fight scene between them.
The issue was good. It established a character I didn't know in one issue and it made me care about what would happen to her.
A solid issue.
Marvel Adventures #57 by Paul Tobin and Matteo Lolli
This issue was great. It had humor, romance, action, Peter having moral dilemmas. Essentially it had everything that a Spider-Man comic needs.
The humor came in the guise of Emma Frost as the Silencer. She became a "villain" essentially to see Spider-Man in action, as her best friend Chat is Spidey's girlfriend. In the issue we get a lot of good dialogue between Chat and Emma, between Spidey and Chat and between Peter and Chat. This is the issue where Spidey and Chat have a fight, as Chat confesses that she knows he is Spider-Man and this fight is what generated the funny line I posted about yesterday "...we're sending messages through pigeons now..."
The series is fantastic.
Web of Spider-Man #1,#2,#3 by J.M. DeMatteis, Fred Van Lente, among others.
The first issue is not very good. It has a good but not great story about Kaine written by J.M. DeMatteis. It has a story about Spider-Girl, which I don't care much about, and it has a story about Frog-Man, which was funny but not much. I felt like the first issue wasn't worth buying.
The second issue has the origin of Electro, which was a good story. It had a better Spider-Girl story (now I start to care a bit more) and it has a pretty good final story involving Jameson. This issue is almost worth the price of admission, but it is not there yet.
The third issue has the origin of Rhino, which is a great story. I have a little more respect for Rhino after reading this. Then it has a good Spider-Girl story, which made me want to get the next issue to find out the conclusion to the Spider-Girl current arc. Finally, it has another J.M. DeMatteis story. This time he writes a nice short about May and JJJ Sr.'s honeymoon. It is a moving piece and very funny too. It is nice how he manages to make it touching and funny.
The third issue is very good and that is the reason I'l; get the next couple of issues.
Haunt #1,#2,#3 by Robert Kirkman, Ryan Ottley, Greg Capullo and Todd McFarlane.
This title generated a lot of news as it brings back Todd McFarlane into creating a character. McFarlane created this character with Kirkman and now inks the series. The comic is about a priest Daniel Kilgore, whose brother is a secret agent, Kurt Kilgore. Kurt dies and somehow his ghost can still talk to Daniel and if he gets inside Daniel's body, they become a powerful being called Haunt. This is the set up.
The first issue is a good start. The story moves fast and we are introduced to the two main characters, Daniel and Kurt,effectively. I like the first issue.
The second issue is even better than the first. We know more about Daniel and we find out that he has a thing for Kurt's wife. It is also fun to see how Daniel reacts to his newfound powers. The interaction between Daniel and Kurt is quite fun.
The third issue reveals to us a lot more. A creepy Bolivian woman calls him Haunt, somehow she's able to sense the ghost of Kurt. We also learn more about where Kurt worked before, as Daniel is there in their jail (while they try to find out how he was able to get into the secret facility). It is a very good issue. The series keeps getting better and better.
As mentioned yesterday, the fourth issue wasn't so great. The series however has great potential.
That wraps up all the issues I have read in the last two months, so I won't be reviewing any more single issues until next Wednesday when a new batch comes in. However I'll be reviewing a lot more trade paperbacks in the coming days.
The issue continues on the Sandman story introduced in the previous issue. The issue continues with the great artwork and great writing. I particularly liked the artwork on a two page spread where the panel snakes up as Sandman is snaking up. The panel is creative and it makes the action look much better than if the panel were just a rectangle.
The ending in the issue is sad. It made me think about the government taking children away from parents because of negligence. Movies, comics and books many times put this in a bad light, but then again, abusive parents must be held accountable somehow. It is a tough subject. I think child's services is better for society than not having it, but some situations are just sad.
A very good issue.
What If Aunt May had Died instead of Uncle Ben? by Ed Brubaker and Andrea Di Vito.
The story is told as if the narrator was a comic book store owner talking to another comic book fan. It is nice that the owner has a T-shirt with The Watcher in it, as The Watcher is usually the narrator in the What If? storylines.
The story is a fun read. It makes it clear how important Aunt May is in the Spider-Man universe. Without someone to ground him, Spider-Man would lose control and go through more experiences before becoming a good superhero.
It was a good story and I really liked the way it was handled with the two superhero fans discussing this.
Star Wars: Purge Seconds to Die by John Ostrander and Jim Hall
The comic is about a Jedi that tries to take down the Emperor after Order 666. She acts as if she wants to be Sith. The Emperor tells her that he'll take her as a student as long as she defeats Darth Vader. Therefore we get a pretty good fight scene between them.
The issue was good. It established a character I didn't know in one issue and it made me care about what would happen to her.
A solid issue.
Marvel Adventures #57 by Paul Tobin and Matteo Lolli
This issue was great. It had humor, romance, action, Peter having moral dilemmas. Essentially it had everything that a Spider-Man comic needs.
The humor came in the guise of Emma Frost as the Silencer. She became a "villain" essentially to see Spider-Man in action, as her best friend Chat is Spidey's girlfriend. In the issue we get a lot of good dialogue between Chat and Emma, between Spidey and Chat and between Peter and Chat. This is the issue where Spidey and Chat have a fight, as Chat confesses that she knows he is Spider-Man and this fight is what generated the funny line I posted about yesterday "...we're sending messages through pigeons now..."
The series is fantastic.
Web of Spider-Man #1,#2,#3 by J.M. DeMatteis, Fred Van Lente, among others.
The first issue is not very good. It has a good but not great story about Kaine written by J.M. DeMatteis. It has a story about Spider-Girl, which I don't care much about, and it has a story about Frog-Man, which was funny but not much. I felt like the first issue wasn't worth buying.
The second issue has the origin of Electro, which was a good story. It had a better Spider-Girl story (now I start to care a bit more) and it has a pretty good final story involving Jameson. This issue is almost worth the price of admission, but it is not there yet.
The third issue has the origin of Rhino, which is a great story. I have a little more respect for Rhino after reading this. Then it has a good Spider-Girl story, which made me want to get the next issue to find out the conclusion to the Spider-Girl current arc. Finally, it has another J.M. DeMatteis story. This time he writes a nice short about May and JJJ Sr.'s honeymoon. It is a moving piece and very funny too. It is nice how he manages to make it touching and funny.
The third issue is very good and that is the reason I'l; get the next couple of issues.
Haunt #1,#2,#3 by Robert Kirkman, Ryan Ottley, Greg Capullo and Todd McFarlane.
This title generated a lot of news as it brings back Todd McFarlane into creating a character. McFarlane created this character with Kirkman and now inks the series. The comic is about a priest Daniel Kilgore, whose brother is a secret agent, Kurt Kilgore. Kurt dies and somehow his ghost can still talk to Daniel and if he gets inside Daniel's body, they become a powerful being called Haunt. This is the set up.
The first issue is a good start. The story moves fast and we are introduced to the two main characters, Daniel and Kurt,effectively. I like the first issue.
The second issue is even better than the first. We know more about Daniel and we find out that he has a thing for Kurt's wife. It is also fun to see how Daniel reacts to his newfound powers. The interaction between Daniel and Kurt is quite fun.
The third issue reveals to us a lot more. A creepy Bolivian woman calls him Haunt, somehow she's able to sense the ghost of Kurt. We also learn more about where Kurt worked before, as Daniel is there in their jail (while they try to find out how he was able to get into the secret facility). It is a very good issue. The series keeps getting better and better.
As mentioned yesterday, the fourth issue wasn't so great. The series however has great potential.
That wraps up all the issues I have read in the last two months, so I won't be reviewing any more single issues until next Wednesday when a new batch comes in. However I'll be reviewing a lot more trade paperbacks in the coming days.
Friday, January 1, 2010
The Life and Times of Savior 28
The Life and Times of Savior 28 was written by J.M. DeMatteis and Mike Cavallaro.
The Life and Times of Savior 28 is a great story that tries to analyze whether violence is the answer to our problems. Comic book superheroes always solve problems with violence and our world also solves problems with violence. We often think that war is necessary (Obama even mentioned this while receiving the Nobel Peace prize), but why do we have to think this? I think the comic does a very good job of making the reader argue this in his head, while also reading a very good story on paper and illustrated magnificently by the artist.
My favorite line in the book, comes close to the start, it is as follows:
"It's funny, y'know? and kind of Sad.
Never once...in all the decades I spent solving every problem with my fists-
did anyone ever accuse me of preaching violence.
But now...when I talk about finding another way...a better way...for us to live...
...they're always accusing me of ramming my views down people's throats..."
I think this speech is at the heart of what the book is about. But before this sounds too preachy, I must add that there is another very good character in the book that exemplifies realism, a character that believes that war is sometimes necessary. The book has two great characters Savior 28, the idealist and Dennis the realist (reminds me of Quixote and Sancho Panza). The story makes one think and reason to find what is the best approach. The author doesn't claim to know the answer, his just showing a side that we never see in comics, a critique on the level of violence in comics.
With respect to the art, I think the art was very good. Sometimes the art is able to tell the story without words and when many words are necessary the art is able to give a great picture that reflects the idea behind the words.
It was interesting to me, to find out that J.M. DeMatteis had planned this story at first for his Captain America run in the 80s. His plan was to have Captain America become a peace activist, then the other heroes would oppose him and eventually he would be killed. They didn't allow him to write that, but 25 years later we get this fantastic story where he can make his own universe as a background to his hero and story. It seems that the political climate is even better now than in the 80s for this story. As a Captain America story it would have been much wider recognized among comic book fans, but I am glad that he was able to tell a self contained story where his work can be changed later by other authors (as an example, DeMatteis has a great issue of Spider-man where Aunt May dies. The issue is excellent, but later on, Aunt May came back to life with another writer).
This is a great book and it deserves to be read by more people. Check it out.
The Life and Times of Savior 28 is a great story that tries to analyze whether violence is the answer to our problems. Comic book superheroes always solve problems with violence and our world also solves problems with violence. We often think that war is necessary (Obama even mentioned this while receiving the Nobel Peace prize), but why do we have to think this? I think the comic does a very good job of making the reader argue this in his head, while also reading a very good story on paper and illustrated magnificently by the artist.
My favorite line in the book, comes close to the start, it is as follows:
"It's funny, y'know? and kind of Sad.
Never once...in all the decades I spent solving every problem with my fists-
did anyone ever accuse me of preaching violence.
But now...when I talk about finding another way...a better way...for us to live...
...they're always accusing me of ramming my views down people's throats..."
I think this speech is at the heart of what the book is about. But before this sounds too preachy, I must add that there is another very good character in the book that exemplifies realism, a character that believes that war is sometimes necessary. The book has two great characters Savior 28, the idealist and Dennis the realist (reminds me of Quixote and Sancho Panza). The story makes one think and reason to find what is the best approach. The author doesn't claim to know the answer, his just showing a side that we never see in comics, a critique on the level of violence in comics.
With respect to the art, I think the art was very good. Sometimes the art is able to tell the story without words and when many words are necessary the art is able to give a great picture that reflects the idea behind the words.
It was interesting to me, to find out that J.M. DeMatteis had planned this story at first for his Captain America run in the 80s. His plan was to have Captain America become a peace activist, then the other heroes would oppose him and eventually he would be killed. They didn't allow him to write that, but 25 years later we get this fantastic story where he can make his own universe as a background to his hero and story. It seems that the political climate is even better now than in the 80s for this story. As a Captain America story it would have been much wider recognized among comic book fans, but I am glad that he was able to tell a self contained story where his work can be changed later by other authors (as an example, DeMatteis has a great issue of Spider-man where Aunt May dies. The issue is excellent, but later on, Aunt May came back to life with another writer).
This is a great book and it deserves to be read by more people. Check it out.
Subscribe to:
Posts (Atom)