Asterios Polyp by David Mazzucchelli.
This book is considered by many to be the best of 2009. Mazzucchelli does a fantastic job with all aspects of the artwork, making the story follow perfectly from panel to panel, making use of color to tell us different things and he also uses the lettering to give each character their own voice. The comic is full of wonderful parts where words aren't needed, showing why this comic had to be done as a comic and not prose. I particularly love a chapter near the beginning about how we perceive things in our own unique way and how we influence the perceptions of those around us. This is done brilliantly by drawing different characters in very different styles, having Asterios drawn in a clean geometric form (arms being cylinders), while having Hana (his wife)drawn with lots of red lines. The comic also has a great chapter, where it gives us another take of the Orpheus myth. It works great during the story and it is beautifully illustrated.
This book gets a lot of attention for its fantastic visual storytelling, but the writing is also very good. I thought the story was very strong (and memorable) and I enjoyed the dialogue. It had funny moments and it had interesting discussions about different things in life.
Asterios Polyp, the character, changes gradually during the course of the book and we get to see his path. I really enjoyed the journey of reading this book. I highly recommend this comic.
Showing posts with label david mazzucchelli. Show all posts
Showing posts with label david mazzucchelli. Show all posts
Friday, April 16, 2010
Wednesday, March 3, 2010
Various Single Issues
Marvels: Eye of the Camera #6 by Kurt Busiek, Roger Stern and Jay Anacleto.
This is the final issue in a six part miniseries. I read the first five issues about 6 months ago and I kept waiting for this issue to come out. The issue was quite good, giving us the back story on Maggie (from the mutant issue on the original Marvels) and giving a nice ending to the series. I think this series was worth it. It is not as good as the original, but it is a nice comic analyzing superheroes. I enjoyed it a lot. The artwork was great and while the issue itself is not fantastic, overall, the miniseries was very good.
Irredeemable #11 by Mark Waid and Peter Krause.
Now that the Plutonian is vulnerable, the comic is getting better and better. We found out about the past between Bette Noir and Plutonian and we found out some of the bad things Plutonian did as a child. The story is great and the art is very good (although, I think Krause is not that good on close ups as he is on the rest). A great series that I recommend people to check out.
Daredevil #226 by Frank Miller and David Mazzucchelli.
The last issue of the Frank Miller run that I hadn't read (his last issue was 233). Although I have not read Daredevil: Man of Fear, I'd say that is outside the run. This issue is a pretty good one-shot. It sets up the attraction that Foggy has for Matt's girlfriend, it has the Gladiator (a character who shouldn't be interesting but Miller and Brubaker have made interesting) and it has great art by Mazzucchelli.
It was worth reading. A nice one shot before the masterpiece that is Daredevil: Born Again.
Amazing Spider-Man #620 by Dan Slott, Marcos Martin and Javier Pulido.
The third issue in the three part story on Mysterio. I think the issue was pretty good. It was nice to see Mysterio be a competent villain and I liked the jokes. The art was great, I was surprised the art was consistent even though there were two artists. I think Marcos Martin is great when it comes to drawing Spider-Man.
Haunt #5 by Robert Kirkman, Ryan Ottley and Todd McFarlane.
The issue is good. An important character dies, changing the scene quite a bit and we find out a bit more about the past of the ghost. It is a bit surprising to me that there is almost no back story to the main character, but a lot of back story to the ghost character. Hopefully we'll find out more to get to be interested in the characters more.
I am starting to have second doubts about continuing with these series. It is not that it is bad, but I think that it is the weakest of the series I get monthly. I will give it a few more issues.
Not a recommended series, but not bad.
This is the final issue in a six part miniseries. I read the first five issues about 6 months ago and I kept waiting for this issue to come out. The issue was quite good, giving us the back story on Maggie (from the mutant issue on the original Marvels) and giving a nice ending to the series. I think this series was worth it. It is not as good as the original, but it is a nice comic analyzing superheroes. I enjoyed it a lot. The artwork was great and while the issue itself is not fantastic, overall, the miniseries was very good.
Irredeemable #11 by Mark Waid and Peter Krause.
Now that the Plutonian is vulnerable, the comic is getting better and better. We found out about the past between Bette Noir and Plutonian and we found out some of the bad things Plutonian did as a child. The story is great and the art is very good (although, I think Krause is not that good on close ups as he is on the rest). A great series that I recommend people to check out.
Daredevil #226 by Frank Miller and David Mazzucchelli.
The last issue of the Frank Miller run that I hadn't read (his last issue was 233). Although I have not read Daredevil: Man of Fear, I'd say that is outside the run. This issue is a pretty good one-shot. It sets up the attraction that Foggy has for Matt's girlfriend, it has the Gladiator (a character who shouldn't be interesting but Miller and Brubaker have made interesting) and it has great art by Mazzucchelli.
It was worth reading. A nice one shot before the masterpiece that is Daredevil: Born Again.
Amazing Spider-Man #620 by Dan Slott, Marcos Martin and Javier Pulido.
The third issue in the three part story on Mysterio. I think the issue was pretty good. It was nice to see Mysterio be a competent villain and I liked the jokes. The art was great, I was surprised the art was consistent even though there were two artists. I think Marcos Martin is great when it comes to drawing Spider-Man.
Haunt #5 by Robert Kirkman, Ryan Ottley and Todd McFarlane.
The issue is good. An important character dies, changing the scene quite a bit and we find out a bit more about the past of the ghost. It is a bit surprising to me that there is almost no back story to the main character, but a lot of back story to the ghost character. Hopefully we'll find out more to get to be interested in the characters more.
I am starting to have second doubts about continuing with these series. It is not that it is bad, but I think that it is the weakest of the series I get monthly. I will give it a few more issues.
Not a recommended series, but not bad.
Monday, January 11, 2010
Daredevil: Born Again
Daredevil: Born Again by Frank Miller and David Mazzucchelli consists of issues 227 through 233 of Daredevil.
Frank Miller had a great run on Daredevil writing issues 165-191 (he co-wrote 165-167). He not only wrote those issues but drew most of them too (he actually starting drawing Daredevil with issue 158). His first solo issue was Daredevil #168 which is a great one, introducing us to Elektra and changing the tone of the book. Miller made the Kingpin into Daredevil's nemesis, while also making Ben Urich a more important character. This run on Daredevil has been very influential since, with Urich, Kingpin and even Turk being important side characters in recent comics. Miller wrote fantastic stories and ended on a high note with a very powerful self-examining last issue.
With all that great work behind on Daredevil, one would be surprised to find that he wrote a much better story for Daredevil a little later when he teamed up with Mazzucchelli with whom he would team up again the following year to write another classic, Batman: Year One.
Daredevil: Born Again is arguably the best comic book story I have ever read. It has a hero defeated and then reborn. It has a great villain who manages to control everything from his tower, a villain that doesn't need to get his hands dirty to hurt you. It has a sad story involving a junkie. It has a love story in the making, with Foggy and Glori. It has moments of great tension, that build up in a way only comics can do. There is a scene where Ben Urich witnesses a murder through a telephone, the art and the story work together perfectly. There are so many things this comic does that make one think about.
I like how the early pages of the first issues always have Murdock sleeping. It is as if we can see that he is on his way down. From a nice bed, to a horrible bed in a cheap hotel, to the streets, to a basement in a church. The destruction of Murdock happens steadily throughout the first issues, not only exemplified in the story itself, but even through a subset of images throughout the story.
I highly recommend this book. It is because of comics like this that I read comics.
Frank Miller had a great run on Daredevil writing issues 165-191 (he co-wrote 165-167). He not only wrote those issues but drew most of them too (he actually starting drawing Daredevil with issue 158). His first solo issue was Daredevil #168 which is a great one, introducing us to Elektra and changing the tone of the book. Miller made the Kingpin into Daredevil's nemesis, while also making Ben Urich a more important character. This run on Daredevil has been very influential since, with Urich, Kingpin and even Turk being important side characters in recent comics. Miller wrote fantastic stories and ended on a high note with a very powerful self-examining last issue.
With all that great work behind on Daredevil, one would be surprised to find that he wrote a much better story for Daredevil a little later when he teamed up with Mazzucchelli with whom he would team up again the following year to write another classic, Batman: Year One.
Daredevil: Born Again is arguably the best comic book story I have ever read. It has a hero defeated and then reborn. It has a great villain who manages to control everything from his tower, a villain that doesn't need to get his hands dirty to hurt you. It has a sad story involving a junkie. It has a love story in the making, with Foggy and Glori. It has moments of great tension, that build up in a way only comics can do. There is a scene where Ben Urich witnesses a murder through a telephone, the art and the story work together perfectly. There are so many things this comic does that make one think about.
I like how the early pages of the first issues always have Murdock sleeping. It is as if we can see that he is on his way down. From a nice bed, to a horrible bed in a cheap hotel, to the streets, to a basement in a church. The destruction of Murdock happens steadily throughout the first issues, not only exemplified in the story itself, but even through a subset of images throughout the story.
I highly recommend this book. It is because of comics like this that I read comics.
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